This book discusses the most primary and obvious facts of Spender’s (a British poet of the 1930s, who has received much critical attention over the past few decades) poetry – his predilection of the Marxist ideology and all that goes along with it. The book probes into the essentials of Spender’s art and breaks new grounds upon Spender criticism. It also asserts with an original insight that Spender was fascinated more by men, events, scenes, and landscapes than by mere ideology. The book further shows as to how Spender amalgamates through his poetry the socio-political ideas and issues, his almost Wordsworthian sense of natural sight and scenery and its artistic portrayal, and his lyric gift, rare among the poets of the ‘Thirties generation, to create a splendid masterpiece of poetic art. The critical study on Spender and the literary milieu during the turbulent ‘Thirties unfolds leaf by leaf what concerns poetry as a genre, and its craft, moral perspective, and place in history with special reference to Stephen Spender.
published in 1998 by Bahri Publications, New Delhi, India, under SELL: SERIES IN ENGLISH LANGUAGE AND LITERATURE-45; ISSN: 0254-0193; 45.